Under The Influence Podcast

We’ve played a few Under The Influence shows over the years. In the 15th anniversary edition of the podcast, Nathan and Dillon discuss the early days, the future and a nice piece about us. You can catch up with it here.

Rock The Joint Review Evidence-Based Punk Rock

Here’s what they had to say:

A stylish punk attitude blended with some mixed ingredients, and a biting blast at some of the things happening in our world today. We need to channel social protest into music, and whether we agree with all of it or not there is a really important role for protest music under a government that is trying to close free speech down.

[The album] is sharp, witty, biting and unashamedly political – a record that challenges, provokes and reminds us that punk, at its core, is still an attitude, a voice for the outsider. Steve White and The Protest Family have delivered an album that carries the spirit of Bragg and Dury into the present, holding a mirror up to our fractured times with both grit and humour.

Read the full review here.

A Five-Star “Must Listen” Review of Evidence-Based Punk Rock From Folk London

A – surprisingly – thoroughly enjoyable romp through the distressing state of current affairs seen through the eyes of Steve Wright [sic] as he takes us on a tour of the nearly fictional country of Put Up Shut Up Britain.

…I have to say I found the driving pulsating rhythms of the Protest Family totally refreshing with its infectious energy and joyfulness surprisingly uplifting.

I never thought I would find myself recommending a CD that reflects the daily news we all dread hearing but I am. Unequivocally!

Get your copy here.

“…it’s an absolute tour de force.” Attila The Stockbroker reviews Evidence-Based Punk Rock

I got a new one [CD player] to listen to Evidence Based Punk Rock, the new Steve White & the Protest Family album, and it is worth the money on its own: it’s an absolute tour de force. They’re another great example of genre-fluidity — think Chas n Dave meets the Tom Robinson Band with a magnificently militant Ian Duryish manic street preacher on lead vocals. Hearty singalongs interspersed with Steve’s sharp, witty performance poetry: an incredibly incisive, thoroughly enjoyable CD which sums up our battered country in 2025 to a T. Definitely my album of the year so far.

Read Attila’s full review in the Morning Star.

Evidence-Based Punk Rock

Coming soon!

The cover art is based on Steve’s songwriting notebook and the CD version of the album knits the songs together into consistent narrative with sounds and poems. Yes, Evidence-Based Punk Rock (or evidence-based punk rock, depending on whether you’re listening to the CD or the download/streaming version) is nearly here.

We’ll be announcing a release date soon but first we need to get the word out there. So, if you can help us out with a review/radio play/podcast/interview/etc., please give us a shout.

2024 in Thumbnails

This year saw a song about the floods (there’s going to be more of those, I’m sure), Greene King brewery exposed, Noah as a metaphor for Daily Mail-reading middle-England’s attitude to refugees, the unluckiest street in the UK, a love song based in a factory making weapons being used to destroy Gaza, two new additions to the Put Up Shut Up Britain collection, a song about loss, your actual five-a-day, another in the collection of St. George’s Day songs, another one about your diet, a Protest Family single, kicking out your kitchen fitters, a weather forecast for the east coast, yet another song inspired by Nick Ferrari on LBC, the follow-up to Pricks In Space, Hans Christian Anderson for the modern era, the first protest song to feature Rachel Reeves as Chancellor of the Exchequer, an attempt to expose election fraud by committing election fraud, mousetraps used to try to explain how global asset managers and index funds work, and a song that started life over a failed vegan breakfast in a Wetherspoons in Stourbridge on Remembrance Sunday.

We plan to release a new album next year. Which ones do you reckon will make the cut?